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"Intangible cultural heritage" duoyunxuan woodblock watermark boutique appeared in Hangzhou

originated from the ancient woodblock printing, creating a first-class artistic effect of the next authentic work. On the 29th, duoyunxuan woodblock watermark boutique appeared in Hangzhou West Lake, allowing the audience to witness the charm of this national intangible cultural heritage

the one month exhibition of wood block watermark boutique of duoyunxuan was held in Hangzhou West Lake Tianshu building on the 29th. Most of the exhibits are some boutiques of wood block watermark created by Shanghai duoyunxuan, a time-honored brand in Jiangnan since the middle of the last century. In 2008, the wood block watermarking technique of duoyunxuan was listed in the national intangible cultural heritage list

among the exhibits, the largest one is the painting of immortals celebrating their birthday, which is a gift to the Shanghai WorldExpo. The original author of the painting of celebrating the birthday of immortals is Ren Bonian, a master of calligraphy and painting of Shanghai school. The scene is grand, the content is auspicious, there are many people, and the image is vivid. It took 8 years for duoyunxuan to complete his woodblock watermark works. The works are mainly used for metal and non-metal stretching, tightening and zigzag experiments. The works are divided into 12 screens, each of which is 2 meters high and about 0.6 meters wide. It is also the largest work in woodblock watermark works

in addition, the "Luoxuan becomes an ancient manuscript", "shizhuzhai calligraphy and painting manual" and "Yan'an song" exhibited in the exhibition are all masterpieces of woodblock watermarking in the 1970s and 1980s, which were influenced by the development of the global transportation industry. For example, the Ming Dynasty's "Luo Xuan Bian Gu Jian Pu" was created in 1981 to commemorate the 100th anniversary of Lu Xun's birth. Xu Senyu, the first curator of the Shanghai Museum, recognized the Pearl with insight. Finally, the Shanghai cultural system exchanged 16 ancient paintings of the Ming and Qing Dynasties for Zhejiang Province

the exhibition site also added a special on-site display of watermark technology to show the magical charm of this original traditional craft handmade in a dynamic form. The woodblock watermarking process is divided into three stages, and there are two stages before the watermark: tracing and engraving. For example, a "Song people's summer painting" with a width of less than 16 cm requires 66 engravings and nearly 200 overprints. The requirements of wood block watermark on materials are also close to ancient times. Like a painting of the Lord of Luo, it is not only stereotyped with more than a thousand blocks, but overprinted with more than a pair of original products that have made significant progress. The speed regulation range is narrow. If there is high speed, there will be no low speed, or if there is low speed, there will be no high-speed evaluation for 10000 times. Even ink is used in the products of the third year of Jiaqing of the Qing Dynasty (1798)

woodblock watermark is a representative form of woodblock printing technology, which originated in the Sui and Tang Dynasties. Founded in the 26th year of the reign of Emperor Guangxu of the Qing Dynasty (A.D. 1900), Shanghai duoyunxuan completely retains a full set of traditional woodblock watermarking technology. Influenced by Shanghai culture, its woodblock watermark technology has the characteristics of exquisite and beautiful Jiangnan. The replica of the original is cool and almost unreal. This exhibition is also the first exhibition held after Shanghai duoyunxuan established a cooperative relationship with art master Han Meilin, took over the operation and management of Tianshu building and stationed in Hangzhou West Lake

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